Pablo Picasso, Guernica (1937)

What is Hauntology? Art History at Halloween

As we approach officially the spookiest time of the year, I am putting a spotlight on one of my favourite terms in Art Theory – Hauntology. Aside from the wonderful name, Hauntology is a fascinating concept, with wide-ranging applications across philosophy, sociology, music, history, art history…. and just about any academic or cultural topic you … Continue reading What is Hauntology? Art History at Halloween

Hannah Hoch - Nude Woman Collage

Dada – Pioneering the Patriarchy?

This Long Read blog is inspired in part by my current teaching on Germany in the inter-war years and partly as a self-admonition to visit the current Tate Modern exhibition on Weimar Germany! Titled “Magic Realism” (and on until 14 July), this free show promises an encounter with the “uncanny and mysterious” through the art … Continue reading Dada – Pioneering the Patriarchy?

SARAH LUCAS: The Venice Biennale, France and Feminism

The 2015 Venice Biennale is now underway, and chosen to represent Britain, is artist Sarah Lucas. Her show, entitled, I SCREAM DADDIO is said to "reprise and reinvent the themes that have come to define her powerfully irreverent art – gender, death, sex, and the innuendo residing in everyday objects." The show revolves around themes … Continue reading SARAH LUCAS: The Venice Biennale, France and Feminism

Inventing Impressionism – Camille Pissarro’s ‘The Marne at Chennevières’

We've all heard of 'the impressionists'; the stereotypical French (mostly male) painters, painting from life in rivers and in fields, fascinated by the universal themes of light, time, and perception... But who exactly where they, and what did they do? To provide an answer, I am focusing on one of the lesser-known impressionists, Camille Pissarro, … Continue reading Inventing Impressionism – Camille Pissarro’s ‘The Marne at Chennevières’

Edmund Clark and Peter Schmersal at Flowers Gallery

This week saw the opening of two exhibitions at Flowers Gallery: the work of photographer, Edmund Clark and the painter, Peter Schmersal. Although two very different shows, with very different atmospheres ­– the themes raised by each artist successfully manage to complement and elaborate on the work of the other. Peter Schmersal (a German artist from Berlin) produces … Continue reading Edmund Clark and Peter Schmersal at Flowers Gallery