Darkness and light, experimentation and tradition, independence and the institution; Tate Modern has always been a space of contradictions. It’s imposing, seemingly impenetrable brick façade welcomes all visitors – to irreverently pay their respects at the temple of modern art.
Last weekend I was lucky enough to catch ‘Short Circuit’ on the very last day of the exhibition. Short Circuit is a reassessment of the archetypal touring show – currently based at Stryx’s studios at Grand Union, Birmingham.
Yesterday, I attended Upfest Festival in Bristol’s Bedminster and Southville. Its Europe’s largest, free street art and graffiti festival – with over 250 leading artists demonstrating their formidable skills. The artists have travelled from twenty-five countries, and across the UK, to paint live on 30,000 square foot of surfaces in front of 25,000 visitors. It … Continue reading Upfest Bristol 2015 – A Photo Update
Currently on at Spike Island, is Cally Spooner's Post Production. It is an unusual show (on until the end of June), and essentially consists of two video pieces. You start at the end, with the credits rolling, in a near-empty, bright white space, and then move onto to the 'main exhibition' – a pitch black … Continue reading Cally Spooner: Post-Production at Spike Island
We've all heard of 'the impressionists'; the stereotypical French (mostly male) painters, painting from life in rivers and in fields, fascinated by the universal themes of light, time, and perception... But who exactly where they, and what did they do? To provide an answer, I am focusing on one of the lesser-known impressionists, Camille Pissarro, … Continue reading Inventing Impressionism – Camille Pissarro’s ‘The Marne at Chennevières’