Pablo Picasso, Guernica (1937)

What is Hauntology? Art History at Halloween

As we approach officially the spookiest time of the year, I am putting a spotlight on one of my favourite terms in Art Theory – Hauntology. Aside from the wonderful name, Hauntology is a fascinating concept, with wide-ranging applications across philosophy, sociology, music, history, art history…. and just about any academic or cultural topic you … Continue reading What is Hauntology? Art History at Halloween

Cally Spooner: Post-Production at Spike Island

Currently on at Spike Island, is Cally Spooner's Post Production.  It is an unusual show (on until the end of June), and essentially consists of two video pieces. You start at the end, with the credits rolling, in a near-empty, bright white space, and then move onto to the 'main exhibition' – a pitch black … Continue reading Cally Spooner: Post-Production at Spike Island

SARAH LUCAS: The Venice Biennale, France and Feminism

The 2015 Venice Biennale is now underway, and chosen to represent Britain, is artist Sarah Lucas. Her show, entitled, I SCREAM DADDIO is said to "reprise and reinvent the themes that have come to define her powerfully irreverent art – gender, death, sex, and the innuendo residing in everyday objects." The show revolves around themes … Continue reading SARAH LUCAS: The Venice Biennale, France and Feminism

Inventing Impressionism – Camille Pissarro’s ‘The Marne at Chennevières’

We've all heard of 'the impressionists'; the stereotypical French (mostly male) painters, painting from life in rivers and in fields, fascinated by the universal themes of light, time, and perception... But who exactly where they, and what did they do? To provide an answer, I am focusing on one of the lesser-known impressionists, Camille Pissarro, … Continue reading Inventing Impressionism – Camille Pissarro’s ‘The Marne at Chennevières’