This two-part blog series analyses the influence of Pyrrhonian Scepticism on Montaigne’s writings. For the first part of this article, take a look at my previous blog. In order to comprehend Montaigne’s use of Pyrrhonism, the Apology for Raymond Sebond (the longest and most debated individual essay), provides a fascinating insight into the implicit epistemological … Continue reading Michel De Montaigne: A modern sceptic? (Part Two)
Michel Eyquem de Montaigne, Lord of Montaigne (28 February 1533 – 13 September 1592) was one of the most significant philosophers of the French Renaissance, known for popularizing the essay as a literary genre. If you haven’t come across his Essais, I’d recommend just picking a couple at random and starting from there… It’s how … Continue reading Michel De Montaigne: A modern sceptic? (Part One)
As we approach officially the spookiest time of the year, I am putting a spotlight on one of my favourite terms in Art Theory – Hauntology. Aside from the wonderful name, Hauntology is a fascinating concept, with wide-ranging applications across philosophy, sociology, music, history, art history…. and just about any academic or cultural topic you … Continue reading What is Hauntology? Art History at Halloween
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Last weekend I was lucky enough to catch ‘Short Circuit’ on the very last day of the exhibition. Short Circuit is a reassessment of the archetypal touring show – currently based at Stryx’s studios at Grand Union, Birmingham.
Currently on at Spike Island, is Cally Spooner's Post Production. It is an unusual show (on until the end of June), and essentially consists of two video pieces. You start at the end, with the credits rolling, in a near-empty, bright white space, and then move onto to the 'main exhibition' – a pitch black … Continue reading Cally Spooner: Post-Production at Spike Island
The 2015 Venice Biennale is now underway, and chosen to represent Britain, is artist Sarah Lucas. Her show, entitled, I SCREAM DADDIO is said to "reprise and reinvent the themes that have come to define her powerfully irreverent art – gender, death, sex, and the innuendo residing in everyday objects." The show revolves around themes … Continue reading SARAH LUCAS: The Venice Biennale, France and Feminism